Amused

Chapter 6: The Invitation That Could Destroy Us All

I showed the message to Richard.

He read it once.

Then again.

"No," he said.

I stared at him.

"You don't even know what I'm going to say.""

"I know exactly what you're going to say. And the answer is no.""

"Brielle might know where my mother is.""

"Or she might be trying to lure you into a trap.""

"Then we'll bring the police.""

"The message specifically says to come alone. If Daniel is involved, he'll disappear the moment he sees law enforcement.""

I folded my arms.

"So we do nothing?""

Richard's expression tightened.

"We investigate carefully.""

I laughed without humor.

"That's what everyone has been doing for seventeen years. Carefully. Quietly.

Privately. Meanwhile, my mother is missing, my grandmother died with secrets, and your father's business partner is sending threats to a girl who can't afford a new dress.""

Richard flinched.

I immediately regretted the last sentence, but I didn't take it back.

Marcus stepped between us.

"There's a difference between being careful and doing nothing. We'll use the message to establish a timeline. We'll notify the police. We'll also find out why Brielle was inside that hospital archive.""

I looked down at my phone.

Another message arrived.

This one contained a photograph of a room with white walls, a narrow bed, and a window covered by metal bars.

A woman sat beside the window.

Her face was turned away from the camera.

She wore a blue cardigan.

I recognized it.

My grandmother had kept a photograph of my mother wearing that same cardigan on the day I was born.

I pressed my fingers against the screen.

"That's her.""

Richard came closer.

"Amara, we don't know that.""

"I know the cardigan. Look at the sleeve. There's a little tear near the cuff. My mother used to keep wearing clothes until they fell apart.""

The woman in the photograph had one hand resting on the windowsill.

On her wrist was a small crescent-shaped birthmark.

I had the same one.

My throat closed.

"That's my mother.""

Marcus enlarged the image.

In the lower corner, barely visible, was a metal plaque attached to the wall.

It bore a name.

*ASHFORD HOUSE — RESIDENTIAL CARE UNIT.*

Marcus immediately searched the name.

"There's an old private psychiatric facility with that name outside the city," he said.

"It closed its public admissions years ago, but the property is still owned by a holding company.""

Richard's face hardened.

"Whose company?""

Marcus turned his laptop.

The holding company belonged to a trust established by Arthur Bennett.

My grandfather's trust.

I felt as though the floor had disappeared beneath my feet.

"My mother has been in a place owned by your family?""

"Possibly," Richard replied.

"But we need to verify the photograph.""

"How?""

Marcus studied the image.

"The photo could have been taken recently, or it could be old. The message doesn't establish when or where it was taken.""

I wanted to scream.

Every time we found an answer, another question appeared.

"Then let's go there.""

Richard shook his head.

"Not without support.""

He called the local police department and explained the threats, the old missing-person case, and the photograph. A detective agreed to meet us at the station.

But before we left Evelyn's house, she caught my hand.

"There's something else I didn't tell the police," she whispered.

I turned back.

"What?""

"The woman at the bridge wasn't the only person who disappeared that night.""

Richard went still.

Evelyn looked at him.

"Your father's driver. Thomas Hale. He was reported as having resigned two days after the accident.

But I saw him at the bridge, too. He was standing beside the black sedan.""

"Thomas?"" Richard repeated.

"He was a tall man with a limp. He had a silver watch that caught the light whenever he moved his hand.""

Richard stared at her.

"My father told me Thomas returned to England.""

"Maybe he did," Evelyn replied.

"But I never believed that was the whole story.""

Marcus wrote down the name.

"Do you know where he went?""

"No. But I remember the name of the town he mentioned when he checked into the motel the week before the crash. He said he was visiting his sister in Millbrook.""

Marcus nodded.

"We'll look into it.""

As we left, Evelyn called after me.

"Amara?""

I turned.

She stood in the doorway, holding the doorframe with both hands.

"If that woman is your mother, please tell her I'm sorry. I should have done more.""

I couldn't promise her forgiveness.

But I nodded.

"I'll tell her.""

The drive back to the city was silent.

Richard sat beside me in the back seat, staring out the window. Marcus drove, making calls through the hands-free system.

Streetlights passed over Richard's face, illuminating the lines around his eyes.

Finally, he spoke.

"If Elena is alive, I will spend the rest of my life making sure she gets the care she needs.""

I watched the dark buildings slide past.

"And if she doesn't want to see you?""

He looked at me.

"Then I'll respect her decision.""

"What if she doesn't want to see me either?""

The question escaped before I could stop it.

Richard's face softened.

"Then you will still be the little girl I have been looking for. You won't be less worthy of love because someone is too frightened or broken to give it.""

I turned toward the window.

For the first time that day, I let myself cry.

Not because I believed him completely.

But because a part of me had spent eighteen years waiting for someone to say those words.

At the police station, Detective Laura Mitchell met us in a small interview room. She listened to the entire story without interrupting, occasionally making notes.

When Richard showed her the photograph from Ashford House, she frowned.

"I know that facility. It was investigated for improper patient transfers several years ago.""

"Was it shut down?"" Marcus asked.

"The main building closed. Some residents were transferred to other facilities. The property was sold, but the records are incomplete.""

"Can you get us access?""

"We can request a warrant if we establish probable cause. The photograph and the old vehicle registration give us grounds to investigate, but we need to move carefully.""

I leaned forward.

"How long?""

"I can't give you an exact timeline.""

"Detective, I understand the procedure. But if my mother is there, I can't wait days while someone decides which form to sign.""

Mitchell studied me.

"You're right to push for answers. But I won't send you into a potentially dangerous situation without protection.""

She turned to Richard.

"And you need to tell me everything you know about your father's involvement. If you've withheld information, now is the time to disclose it.""

Richard nodded.

"I'll cooperate.""

The detective asked us to wait while she contacted a judge and requested an emergency search authorization.

Marcus stepped into the hallway to make another call.

Richard remained beside me.

Then I noticed something.

He had been holding the old photograph of my mother and me throughout the interview. His thumb rested on the little girl's face.

"Can I see that again?"" I asked.

He handed it to me.

I examined the edges.

The photograph was slightly thicker than ordinary paper. A narrow seam ran along the back, as if another layer had been glued to it.

I rubbed my fingernail against the edge.

Something shifted.

"Richard?""

He looked over.

"Did you ever take this photograph apart?""

"No. Why?""

I carefully lifted the loose corner.

A tiny folded piece of paper slid out.

It was so small that it could have fit beneath a postage stamp.

I unfolded it.

There was a handwritten number and a short sentence.

*Locker 214. Union Station. The truth is where the trains stop.*

Beneath the sentence was a date.

The same date as the night my mother disappeared.

Richard stared at the note.

"Elena wrote that.""

"How do you know?""

He pointed to the final letter in the word truth.

"She always crossed her t's that way. She used to joke that her handwriting looked like railway tracks.""

Marcus returned to the room.

"What happened?""

I showed him the note.

He read it carefully.

"Union Station has an old luggage locker section. Some of those lockers were converted to digital systems, but the original numbers may still exist in the maintenance records.""

Detective Mitchell returned a few minutes later.

When she saw the note, she immediately made a call to the station's security office.

"Nobody goes there alone," she told us.

"We'll send a team to check the locker.""

I nodded.

For the first time, it felt as though we were finally moving toward something real.

But the detective's phone rang before she could finish arranging the details.

She listened for several seconds, then covered the microphone.

"There's been an incident at Ashford House.""

Richard stood.

"What kind of incident?""

"Someone entered the property and set fire to the records room. Firefighters are on their way.""

My stomach dropped.

"Was anyone inside?""

"We don't know yet.""

Richard grabbed his coat.

"We're going.""

Mitchell blocked the door.

"Absolutely not. The scene is unsafe, and we don't know who started the fire.""

I turned to her.

"If my mother is there—"

"We will find out.""

Her voice was firm but not unkind.

She gave instructions to two officers and returned to the phone.

Then my phone buzzed.

An incoming call.

Unknown number.

I answered before anyone could stop me.

For several seconds, all I heard was breathing.

Then a woman's voice whispered, "Amara?""

My knees weakened.

"Mom?""

A small, broken sound came through the speaker.

"Oh, sweetheart.""

I clutched the phone with both hands.

"Where are you? Are you safe? I've been looking for you.""

"I know. I know, baby.""

Her voice sounded older than I had imagined. Fragile. Exhausted.

But it was her.

I knew it the way I knew the sound of my own name.

"Mom, please tell me where you are.""

"I can't stay long. They're coming back.""

"Who's coming?""

She began to cry.

"Your grandfather lied about the accident. Richard doesn't know everything. He thinks Daniel Whitmore took me away, but Daniel was only following orders.""

Richard leaned closer to the phone.

"Elena, it's me.""

The line went silent.

"Elena, please. I'm here. I never stopped looking for you.""

When she spoke again, her voice had turned cold.

"You should have looked harder.""

Richard closed his eyes.

"I know.""

"No, Richard. You don't know what they did.""

I pressed the phone to my ear.

"Mom, where are you?""

She took a shaky breath.

"Locker 214. Don't let anyone open it until you see what's inside.""

I frowned.

"Why? What's in there?""

A loud noise sounded on her end of the call.

My mother's breathing quickened.

"Amara, listen to me. The man you call your father is not the only person who—"

The line went dead.

I stared at my phone.

Richard grabbed his coat.

Detective Mitchell was already speaking into her radio.

And then a final message appeared on my screen.

*Midnight is too late. If you want Elena alive, come to the old estate now. Bring Richard. Come without the police.*

There was no signature.

But beneath the message was a photograph.

It showed my mother sitting in a dark room, her wrists bound to the arms of a chair.

And standing behind her, one hand resting on her shoulder, was Brielle Whitmore.

May you like

Her face was smiling.

Her eyes were not.

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